the walking eye,
2018
Graphite and colored pencil on mat board
60 x 204 in (In four parts)
5 x 17 ft (In four parts)
in the white darkness
2019
Graphite and colored pencil on mat board
36 x 24 inches

title from Peter Wheelwright’s As It Is On Earth, Fomite, 2012, page 177
walk north
2019
Graphite, acrylic and colored pencil on mat board
24 x 36 inches
the unopened time
2019
Graphite and colored pencil on mat board
24 x 50 inches
Unto the east again
2018
Graphite and colored pencil on mat board
20 x 50 inches
the reaching sun
2017
Graphite and colored pencil on mat board
40 inches x 18 feet (Composite drawing in 5 parts)
moving a perhaps
2017
graphite and colored pencil on mat board
102 x 59 inches
so quiet 2016 Graphite and colored pencil on mat board 24 x 40 inches
2016 Graphite and colored pencil on mat board 24 x 40 inches
barn in the distance 2016 Graphite and colored pencil on mat board 50 x 50 inches (2 panels, 50 x 24 inches each)
field drawing 04
2016 Graphite on mat board (5 panels) 120 x 60 x 2.5 inches
Anne Lindberg: the long sun
Installation view, CAM Raleigh North Carolina
February 2 – June 10, 2018
Photo: Derek Porter
Anne Lindberg: walking as I stand Installation view, Carrie Secrist Gallery Chicago September 16 – October 28, 2017 Photo: Clare Britt
Anne Lindberg: walking as I stand
Installation view, Carrie Secrist Gallery
Chicago
September 16 – October 28, 2017
Photo: Clare Britt
Anne Lindberg: walking as I stand
Installation view, Carrie Secrist Gallery
Chicago
September 16 – October 28, 2017
Photo: Clare Britt
Anne Lindberg: drawn below, 2014
Graphite on cotton mat board
59 h. inches x 42.5 feet

Installation view, Carrie Secrist Gallery, Chicago
April 18 – May 30, 2015
Photo: Clare Britt

Bio

www.annelindberg.com

ANNE LINDBERG

Upcoming exhibitions:
CURRENT & UPCOMING PROJECTS

Anne Lindberg: think like the river, with poet Ginny Threefoot, Figge Art Museum, Davenport, IA – opens June 11 – September 4, 2022

temperatures, Nancy Littlejohn Fine Art, Houston, TX – opens March 18 – April 30, 2022

Cosmic Geometries, curated by Sharmistha Ray and Dannielle Tegeder, Elizabeth Foundation for the Arts Project Space,

New York, NY – January 15 – February 26, 2022

AbStranded: Fiber and Abstraction in Contemporary Art, Everson Museum of Art, curated by Director Elizabeth Dunbar, Syracuse, NY – September 18, 2021 – January 2, 2022

EXACTLY: precision and process, Pamela Salisbury Gallery, Hudson, NY – November 13 – December 12, 2021

Was / Is / Ought, Carrie Secrist Gallery, Chicago, IL – September 18 – December 18, 2021

Commission, five-story mural drawing, NYU Langone Health, new Center for Women’s Health at Citicorp Building, New York, NY – completion late 2022

The Subject is the Line, Thompson Giroux Gallery, curated by Donna Moylan, Chatham, NY – August 7 – September 5, 2021

Solo exhibition, saffron fog, Shelter in Place Gallery, curated by Caroline Kipp as part of Light and Shadow, June 18 – 20, 2021

Solo exhibition, a new light, The Landing, Los Angeles, CA – July 10 – August 21, 2021

Everyday, Archie Scott Gobber, Anne Lindberg, Mike Sinclair, Haw Contemporary, Kansas City, MO – June 18 – August 6, 2021

Current and Recent exhibitions:

something clear, group exhibition, Haw Contemporary, Kansas City, MO – thru March 2020

The Beginning of Everything: An Exhibition of Drawings, group exhibition at the Nash Gallery at the Regis Center for Art, University of Minnesota, January 21 – March 28, 2020

Even Thread Has a Speech, John Michael Kohler Art Center, curated by Shannon Stratton, group exhibition part of Mirror of the Universe, a multi-exhibition and publication project that focuses on the life and work of Lenore Tawney, Sheboygan, WI – opens September 1, 2019 – February 2, 2020

Topologies The Warehouse, Dallas, TX, Group exhibition, May 14, 2018 – April 13, 2019

How We See: Materiality of Color, Laumeier Sculpture Park Adam Aronson Fine Art Center, St. Louis, MO – March 2 – June 30, 2019

the eye’s level, Museum of Art and Design, NYC, Solo exhibition, October 16, 2018 to March 3, 2019

Spectrum | curated by Kiki Smith and Kate Menconeri, The Thomas Cole Historic Museum, Catskill, NY, Group exhibition, August 25 – November 18, 2018

Anne Lindberg makes immersive installations and drawings that tap a non-verbal physiological landscape of body and space, provoking emotional, visceral and perceptual responses. Her work generates fundamental questions about time, causality and sequence as it speaks to the vicissitudes of human experience.

Lindberg’s work has been in solo and group exhibitions at such places as The Drawing Center (NYC), Tegnerforbundet (Norway), SESC Bom Retiro (Sao Paulo), The Mattress Factory, Museum of Fine Arts Boston, Museum of Arts and Design NYC, CAM Raleigh, US Embassy in Rangoon Burma, Atlanta Contemporary Art Center, Bemis Center for Contemporary Art, Akron Art Museum, Cranbrook Art Museum, Contemporary Art Center Cincinnati, and the Omi International Art Center, among others. Her work is in collections of the Nevada Museum of Art, Detroit Institute of Art, Kemper Museum of Contemporary Art, Nerman Museum of Contemporary Art, Daum Museum of Contemporary Art, Howard and Cindy Rachofsky Collection, Collection of Kristy and Bill Gautreaux, Niwako Kimono Company, University of Iowa Hospitals & Clinics among many others.

Lindberg is a recipient of awards including a 2011 Painters & Sculptors Joan Mitchell Foundation Grant, Charlotte Street Foundation Fellowship, Lighton International Artists Exchange, Art Omi International Artists Residency, and a Mid-America National Endowment for the Arts Fellowship.

Lindberg lives and works in Ancramdale, New York.