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Phyllis Bramson and Judith Geichman
The Three Melancholy Mystics, 2010
66 1/2 x 88 inches
Mixed-media and collage on canvas
Collaboration
Phyllis Bramson & Judith Geichman: Then is Now
March 20—April 24, 2010
The Carrie Secrist Gallery is please to announce our upcoming show, Then is Now, a dual exhibition featuring works by Phyllis Bramson and Judith Geichman. The exhibit will open on March 20th and run through April 24th.
Both Bramson and Geichman are interested in unconventional beauty and a certain kind of visual clarity in their work. Additionally, they share several common sources including Chinoiserie, Toile de Jou, Chinese scholar rocks, Rococo, abstraction, and elements of collage.
Yet for all their similarities these two artists have, the substance of their works differs significantly. Despite outright figuration in her paintings, Bramson claims to “plot narrative moves which involve abstraction as the backbone.” Geichman’s work, on the other hand, is outwardly about abstraction and modernism, though when she creates it, she is thinking of figuration.
Some of the pivotal aspects of Bramson’s art include eroticism, Orientalism, and a form or random “touring”. Though she asserts that modernism is very important to her, she calls herself a Surface Surrealist, noting the undeniable influence of the Chicago tradition of figure painting, particularly Darger and Seymour Rosofsky. Geichman, on the other hand, relates to Helen Frankenthaler, Jackson Pollock and the New York school of painting. She sees herself as carrying on that tradition, but adds her own twist through her engagement with figuration as one aspect towards abstraction.
Phyllis Bramson’s work is in the permanent collections of The New Museum of Contemporary Art, NYC, Museum of Contemporary Art, Chicago, National Museum of American Art, Washington D.C. as well as many other major museums throughout the world. Among other notable accomplishments, she is a three-time recipient of the NEA Fellowship, a Guggenheim Fellowship, the Anonymous Was a Woman Award, and a Tiffany Award.
Currently, Judith Geichman is teaching at the School of the Art Institute Chicago and has had solo exhibitions at The Chicago Cultural Center and The Illinois State Museum. Geichman has also been in group exhibitions at The Rockford Art Museum and the National Academy of Art, New York. Other accomplishments include two National Endowment for the Arts Awards, a Margaret Klimek Phillips Fellowship and a Gil Society Artist Fellowship Residency to Akureyri, Iceland in 2005.
Images
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Phyllis Bramson
Then is Now
Installation view, Carrie Secrist Gallery, Chicago
March 20 – April 24, 2010 -
Phyllis Bramson
Then is Now
Installation view, Carrie Secrist Gallery, Chicago
March 20 – April 24, 2010 -
Phyllis Bramson
The Reluctant Bride, 2008
Mixed media on canvas
60 x 70 inches -
Phyllis Bramson
Intimate Thoughts with Total Strangers, 2010
Mixed media on canvas
60 x 70 inches -
Phyllis Bramson
Breathing Lessons, 2008
Mixed media on canvas
60 x 60 inches -
Phyllis Bramson
Then is Now
Installation view, Carrie Secrist Gallery, Chicago
March 20 – April 24, 2010 -
Phyllis Bramson
Ring Around the Rosy (soon they all fall down), 2008
Mixed media on canvas
60 x 60 inches -
Phyllis Bramson
Then is Now
Installation view, Carrie Secrist Gallery, Chicago
March 20 – April 24, 2010 -
Phyllis Bramson
Then is Now
Installation view, Carrie Secrist Gallery, Chicago
March 20 – April 24, 2010 -
Phyllis Bramson
Telling Tales (of doubt) In Winter, 2010
Mixed media and found images with handiwork
90 x 28 x 18 inches -
Phyllis Bramson
Telling Tales (of doubt) In Winter, 2010
Detail
Mixed media and found images with handiwork
90 x 28 x 18 inches -
Judith Geichman
Floating World, 2004
Acrylic and flock on canvas
88 x 120 inches -
Judith Geichman
Then is Now
Installation view, Carrie Secrist Gallery, Chicago
March 20 – April 24, 2010 -
Judith Geichman
Herald, 2007
Acrylic on canvas
90 x 70 inches -
Judith Geichman
Then is Now
Installation view, Carrie Secrist Gallery, Chicago
March 20 – April 24, 2010